Colossal by Future Lyrics Meaning – Unveiling the Dimensions of Hustle and Success
Lyrics
I want it, I want it, I want it, I want it, I want it
Goddamn
This shit gettin’ colossal
This shit gettin’ colossal
This shit gettin’ colossal (oh)
This shit gettin’ colossal
We’ll trap out the traphouse
We love it, we gettin’ that money
We’ll trap out the traphouse
Just know that we love it, we gettin’ that money
This shit gettin’ colossal
Hunnids on hunnids, do numbers on numbers
Get llamas on llamas
Got bales by the bundle
Got hundreds of gunnas, that’s a hun’ in the drum
That’s a hundred on hundred
Trapped out the house with my partners
We went to shoppin’ on midget
We went to cop it and get it, take flights out the city
We go to AZ and send it
We go to AZ and get it
I’m hungry, I admit it, I swear I’m conditioned
I serve and I hustle on any conditions
Fuck your permission, I’ll get to them digits
Come to your town and I get and split it
I get them stacks and get busy
I get that gat and get busy
I take that crack and I flip it
I be in all black like a villain
Hop out the ‘Lac on some pimpin’
Step to that bitch like I’m Goldie
Half of these niggas, they bogus
Most of these niggas, they bogus
I go to coast to coast, I’m fully loaded
I hit the lights for roaches just to scatter
I had to go to work with heavy metal
I done seen dead bodies in the ghetto
I seen these bitches dancin’ with the devil
I seen that money make a bitch evil
This shit gettin’ colossal
This shit gettin’ colossal (oh)
This shit gettin’ colossal
We’ll trap out the traphouse
We love it, we gettin’ that money
We’ll trap out the traphouse
Just know that we love it, we gettin’ that money
This shit gettin’ colossal
I fell in love with a kickstand
I serve that bitch with my left hand
I’m ’bout to open a meth lab
I set the blow on the jetway
Caught a few plays for some big faces
I be in B-More like I’m a Raven
We trap out this bitch ’til the police raid it
I seen that coco turn bad when it get in the pot
I’m sorta like a chef when I’m over the pot
I’m sorta like a ref when we talk ’bout these streets
Whistle official, my pocket gorilla
We trap out these buildings and make us some millions
Poverty didn’t get the best of my gang
We took all this game and went bought us some chains
We fucking these bitches, ain’t none of ’em gettin’ claimed
I’m straight up deranged
I jump out the Range
I go to the Flame on a Wednesday
That molly, that drank and that kush
I think I went over my limit
Stack after stack after stack
I’m throwin’ this shit to the ceiling
Got three Audemars and a Bentley
And it’s one hell of a feeling, yeah
This shit gettin’ colossal
This shit gettin’ colossal (oh)
This shit gettin’ colossal
We’ll trap out the traphouse
We love it, we gettin’ that money
We’ll trap out the traphouse
Just know that we love it, we gettin’ that money
This shit gettin’ colossal
I seen that money make a bitch evil (money make a bitch evil)
I seen that money make a bitch evil
In the hip-hop echelons, where bravado intertwines with the raw reality of street life, Future’s ‘Colossal’ stands out as a monumental anthem of hustle and triumph. The track, embedded with heavy beats and a relentless flow, is a confession of ambition and the burdens that come with a rise to prominence.
But beneath the surface-level braggadocio and the glorification of the grind, ‘Colossal’ hides layers of nuanced complexity. It’s a tale of what it takes to ascend from the depths of societal bottom tiers, of navigating the treacherous terrain of the illegal drug trade, and of wrestling with the moral implications that shadow one’s journey to opulence.
The Cry of Ambition – When Desires Become Colossal
‘The luxury of having passion,’ Future muses, as though his fervent desires have transcended into the realm of privilege. It’s a stark reflection on what drives the human heart when material cravings swell to immeasurable proportions. The repetition of the word ‘colossal’ in the chorus isn’t just a statement of grandeur; it’s a reflection of Future’s all-consuming yearn for success and the sheer scale of his aspirations.
This anthem doesn’t just stop at the doors of monetary gain; it pushes into the realms of what it means to ‘want’ in the deepest psychological sense. Future’s insatiable hunger for more becomes the focal point, with every verse serving as an insight into both the spoils and the sacrifices of ambition.
Trapped in Success: The Ironies of Escaping Poverty
Future constructs a dichotomy with ‘We’ll trap out the traphouse’—it’s a gritty recognition that to escape the ‘trap,’ one must engage it fully. This line encapsulates the bitter irony of Future’s world, where the act of trapping is both a literal reference to participating in the drug game and a figurative nod to the cyclical nature of poverty and crime.
The song captures the essence of a harsh reality for many: the traphouse is not merely a location, but a microcosm of a struggle for financial emancipation. It’s in this environment that the colossal becomes tangible; where money isn’t just a commodity, but a life raft in a sea of socio-economic adversity.
Ghosts in the Machine – Unveiling the Hidden Meaning
Peel back the layers of pulsating beats and you’ll find ‘Colossal’ is more a spiritual successor to the tragic stories laid down by blues musicians of yore than a simple trap record. ‘I seen that money make a bitch evil,’ confesses Future, hinting at the corrupting influence of wealth and the changes it can wreak upon the soul. These lines resonate as a warning—gains obtained through questionable means carry the potential to distort and destroy.
It’s not mere cautionary tale, but a reflection steeped in lived experience. Future’s portrayal of his world doesn’t shy away from the grit and grime, from the ‘heavy metal’ needed to survive in the trenches to the ‘dead bodies in the ghetto.’ It’s a powerful commentary on the inescapable impact of one’s environment.
The Visceral Imagery: Painting Pictures with Words
Colossal is as much a sonic masterpiece as it is a canvas for lyrical painting. The richness in Future’s wordplay conjures stark, often visceral imagery. Through scenes of navigating streets with ‘heavy metal’ and ‘dead bodies in the ghetto,’ listeners are transported into the rap artist’s atmospheric narrative.
There’s an artistry in the blunt descriptions, a type of purposeful crudeness that both punctuates the ruthless nature of Future’s past endeavors and illustrates a panoramic view of the chaos from which he emerged. The song becomes less a track and more a gallery of snapshots, each lyric a Polaroid of the artist’s psyche.
Memorable Lines that Echo Beyond the Beat
‘I seen that money make a bitch evil’—this haunting line reverberates as a chorus within the chorus, a bleak mantra that encapsulates the central theme of Colossal. Future posits that financial success isn’t just a goal; it’s a transformative agent, with the power to corrupt and redefine relationships. These words linger as a reminder that with colossal ambition come colossal consequences.
This simple yet profound declaration stands out, summarizing the track’s driving force. Behind the boasts about riches and hedonism lies a cautionary note about the trap of excess and the solitude that can permeate when everyone around becomes a potential foe, corrupted by the very success one strives for.
