James Blake has explained that the editor in this case (“Fire the Editor”) would be one’s self, thus making this song akin to a soliloquy. And the message behind the track is that we should not go...
This James Blake song (“Night Sky”) starts off the vocalist noting that he “had told” the addressee “something to say”. Based on the chorus, that may be “to fly into the night sky”. And presumably that...
The message behind James Blake’s “I Want You To Know” is really straightforward, which is the vocalist ‘wanting you to know that you are really special’. And to some extent, it may be presumed that...
The lyrics of “He’s Been Wonderful” were in part sampled from an old gospel track. Within that context, of course the titular “He” would be a reference to the Most High. As such, one of the...
There are only three expressions made throughout this song, which are “fall back”, “can’t be sad” and “might not come back from that”. In an attempt to connect all of them, we can theorize...
James Blake’s “Tell Me” possesses a certain degree of ambiguity. But the lyrics (of the chorus) read as if this may be a situation where James is addressing his significant other. Or what he appears to...
What it is that’s “loading”, i.e. in the process of manifesting, are the vocalist’s “wings”. All lyrics considered, said “wings” would likely be symbolic of something like James being imbued with a free-partying spirit. But as...
In Frank Ocean’s “Impietas + Deathwish (ASR)”, we’re getting a deep look into a vulnerable moment where trust and fear collide. The intro titled “Impietas” is all about questioning loyalties — Frank is wondering...
To begin with, the title of this Frank Ocean track carries a dual meaning. On one hand, “solo” represents the state of being by oneself. On the other, it can be interpreted as “so...
“Come On World, You Can’t Go!” is a freestyle and furthermore one that is a lengthy nine minutes’ long. So there’s a whole lot being relayed here. But to note, the sentimental original of this piece dates...