Bitch We Got a Problem by Korn Lyrics Meaning – A Deep Dive into Identity and Inner Turmoil
- Music Video
- Lyrics
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Song Meaning
- The Many Faces Inside: Dissecting Korn’s Psychological Labyrinth
- An Unflinching Look at Emotional Absence: The Paradox of Presence and Apathy
- Navigating the Rivers of Confusion: Korn’s Exploration of Futility
- The Explosive Chorus: Embracing the Mania Within
- The Grand Finale: Decoding the Disarray and the Lingering Afterthought
Lyrics
There’s another ten inside
I love you so much, I’m never there
I’m always with you but never cared
And you move in a hostile way
Like you’re recently wounded
I reach for your wrist to feel a pulse
There’s barely a sound from both of us
We’ve got a problem, it’s plain to see
We’ve got a problem
Which one, which one of you is into me?
Which one, which one of me is into you?
We’re both schizophrenic I fear
Say how many voices you hear
Which one, which one of you is into me?
Which one, which one of me is into you?
We are schizophrenic, don’t stop
No, not till I fuck this all up
All the searching we do inside
Is a futile attempt to
Dissect what we’re meant to never know
It’s all screwed up how the river flows
And I know that you’ve tried real hard
To center yourself, but
One side of me starts slipping through
A real dark bitch there inside of you
We’ve got a problem, it’s plain to see
Bitch, we’ve got a problem
Which one, which one of you is into me?
Which one, which one of me is into you?
We’re both schizophrenic I fear
Say how many voices you hear
Which one, which one of you is into me?
Which one, which one of me is into you?
We are schizophrenic, don’t stop
No, not till I fuck this all up
Nice to fucking meet you
And you, and you, and you, and you, and you, and you
And this is me, and me, and me, and me, and me, and me, and me, and me, and me
Bitch, we’ve got a problem
Which one, which one of you is into me?
Which one, which one of me is into you?
We’re both schizophrenic I fear
Say how many voices you hear
Which one, which one of you is into me?
Which one, which one of me is into you?
We are schizophrenic, don’t stop
No, not till I fuck this all up
Bitch we’ve got a problem
Yeah
We’ve got a problem
Bitch, we’ve got a problem
We’ve got a problem, problem, problem, problem, problem, problem
We’ve got a problem
Yes, bitch we’ve got a problem
We’ve got a problem
We’ve got a problem, problem, problem, problem, problem, problem
Korn, a band synonymous with tapping into the darker crevices of the human psyche, presents ‘Bitch We Got a Problem’ — a visceral expression of internal conflict and fractured identity. This track off their untitled eighth studio album is a collision of aggressive instrumentation and cathartic lyricism that demands an analysis deeper than a surface-level headbang.
Through the jagged mirror of ‘Bitch We Got a Problem’, listeners are compelled to confront a multidimensional portrait of the self, a theme that is both intimate and universal. This provocative song is not merely a spill of rage and confusion; it is a poetic exploration of the chaos that comes with being human. Let’s unravel the intricate weaves of meaning in this enigmatic anthem.
The Many Faces Inside: Dissecting Korn’s Psychological Labyrinth
Right from the opening line, ‘For every person I’ve tried to be, There’s another ten inside,’ Korn encapsulates a struggle that resonates with many — the feeling of being fragmented within oneself. The song’s relentless quest for identity in a pool of multiplicities is less about finding answers and more about shedding light on the confusion that arises from such an exploration. Korn portrays the human condition as a battleground of competing selves, each clawing for recognition and survival.
This narrative of internal struggle is augmented by the music’s own schizophrenic nature, fluctuating between melodies and dissonance, representing the vacillating states of mind the lyrics speak of. The artistry lies in the band’s ability to synchronize the auditory chaos with the lyrical content, cultivating an immersive experience of disarray, both musically and emotionally.
An Unflinching Look at Emotional Absence: The Paradox of Presence and Apathy
‘I love you so much, I’m never there; I’m always with you but never cared.’ This paradoxical admission is a stark reflection on modern relationships — emotionally distant despite physical closeness. The song delves into the consequences of not being mentally present for those we profess to love, painting a picture of alienation that many listeners can identify with.
This line suggests that the problem extends beyond the self and spills over into interpersonal connections. The inability to be fully present echoes a broader cultural affliction, where detachment and distraction have become normalized. Korn does not shy away from illuminating these darker aspects of human interaction.
Navigating the Rivers of Confusion: Korn’s Exploration of Futility
‘All the searching we do inside; Is a futile attempt to; Dissect what we’re meant to never know,’ sings Korn, encapsulating the intricate yet often fruitless journey to self-understanding. This pursuit, according to the band, is marred by our intrinsic incapacity to fully comprehend the forces that drive us, akin to a river’s inexorable flow always eluding our grasp.
The metaphor not only emphasizes the unpredictable nature of our internal landscapes but also suggests that perhaps there is a certain beauty, or at least inevitability, in the unknown. Rather than presenting a nihilistic view, the song proposes acceptance of the inherent mystery that comes with being a complex emotional creature.
The Explosive Chorus: Embracing the Mania Within
The chorus of ‘Bitch We Got a Problem’ is a powerful cry, a recognition of the multiple voices that inhabit our minds. ‘Which one, which one of you is into me? Which one, which one of me is into you? We’re both schizophrenic I fear,’ the band cries out, referring to the multitudes we contain and our attempt to navigate these with others who are just as broken.
Through this repetition, Korn induces a hypnotic state that echoes the mental loops many of us find ourselves in when trying to discern our feelings or intentions. The raw admission of ‘schizophrenic’ tendencies — metaphorically used here to describe conflicting thoughts and emotions within us — is both a plea for understanding and an acceptance of a fractured sense of self.
The Grand Finale: Decoding the Disarray and the Lingering Afterthought
As the song crescendos to its conclusion, with the deceptively simple line ‘Nice to fucking meet you,’ repeated ad nauseam, Korn exposes the manifold layers of self that are presented in any given interaction. It is a sardonic greeting to the apparent and hidden parts of ourselves, suggesting that each meeting with others is a meeting with unknown facets of ourselves.
Such a raw conclusion leaves listeners in a contemplative haze, pondering the authenticity of interactions and the multiplicity of identity. With the final repetitive insistence that ‘Bitch, we’ve got a problem,’ there’s no resolution offered, no answers given, ensuring that the chaos and introspection churn just beneath the surface, long after the last note fades.





