Smuckers by Tyler the Creator Lyrics Meaning – Constructing Identity Amidst Chaos and Controversy
Lyrics
I’m watchin’ Freaks and Geeks with the trampoline on the floor
I’m tryna pop the McLaren with the vertical doors nigga
Money, money, money, money, money ain’t the motive
What’s your name again? Nobody knows it
Don’t speak to me nigga, you not important
I’m focused
They say I’m nutty, picnic basket
Not short of a sandwich
A peanut butter, Boyce Watkin’s a faggot
Please come and get me
Said I suck him at your neck
Like a hickey, boy I’m sicky
Like a HIV victim, man nobody fuckin’ with me
I got banned from New Zealand, whitey called me demon
And a terrorist, God dammit I couldn’t believe it
Ban a kid from the country, I never fall, never timber
But you fucked up as a parent, your child idol’s a nigger
I clearly don’t give a fuck, say you could run that shit back
And fuck your loud pack, and fuck your Snapchat
Cherry Bomb, the greatest fuckin’ album since the days of sound
And that shit gon’ pop just like that nigga that was never ’round
Damn, bout to drop, gas em up, thick exhaust
Young T, came quick, hard to beat, dick is soft
We ain’t lyin’, we the truth, call him Simba, beats his hooves
Tyler the Creator sweatin’ Jesus juice
Put that fuckin’ cow on my level, cause I’m raisin’ the stakes
Mom I made you a promise, it’s no more section 8
When we ate its the steaks, now our section is great
Cause that’s the level I’m at, my niggas pass em a plate
Ye!
Why, why, why?
Why don’t they like me?
Cause Nike gave lot of niggas checks
But I’m the only nigga ever to check Nike
Richer than white people with black kids
Scarier than black people with ideas
Nobody can tell me where I’m headin’
But I feel like Michael Jordan, Scottie Pippen at my wedding
They say I’m crazy but that’s the best thing going for me
You can’t Lynch Marshawn, and Tom Brady throwin’ to me
I made a million mistakes, but I’m successful in spite of em
I believe you like a fat trainer takin’ a bite or somethin’
I wanna turn the tanks to playgrounds
I dream’t of 2Pac, he asked me “are you still down?”
“Yeah my nigga”, it’s on, its on, its on, its on
I know they told their white daughters don’t bring home Jerome
I am the free nigga archetype
I am the light and the beacon, you can ask the deacon
It’s funny when you get extra money
Every joke you tell just be extra funny
I mean you can even dress extra bummy
Cocaine, bathroom break, nose extra runny
And I gave you all I got, you still want extra from me
Oxford want a full blown lecture from me
And the Lexus pull up, skrrtt like hop, I’d hopped out, wassup
Erg erg erg, step back, hold up, my leg’ll be stuck
Hold up
I studied the proportions, emotions runnin’ out of Autobahn
Speed level, had a drink with fear, and I was textin’ God
He said “I gave you a big dick, so go extra hard”
For your boy
I’m tryna pop the McLaren with the vertical doors
I’m watchin’ Freaks and Geeks got a trampoline in my room
Damn
Two, Three, Four
Hold your fuckin’ horses
Niggas really fuckin’ thought that T lost it
Like I’m better at an auction been exhausted
I been workin’ while y’all cylinders smoke like broken exhaust tips
Fuckin’ losers
Hold your fuckin’ ponies my homie
I whip your donkey by my lonely I eat pussy like Shoney’s
That’s Tunechi, homie, master of ceremonies
I knock ’em down, domino effect, no pepperoni
I swear
This them golf boys, like them hot boys
For the nine, 9 and 2,000, but its the 2,000
When the one four and the one five, yo what up Wayne
(What up Slime, nigga go hard)
Yeah, I’mma go hard like before Cain
Got too much drive, need like ten lanes
Life is a broad and she give brain
That’s that road head, that’s a dream car
Got a four ten, of that same year I was born
That’s that one nine nine one, ‘nother nigga like I
You gon’ find one, cuz nigga I’m a god, a divine one, Tune
My trigger finger wise but my nine dumb
Middle finger blind so its fuck A-N-Y one
Fuck, skate and die son, a hundred ways to die son
I’m starin’ at a tramp on lean, make my eye jump
Use Adderall like alarm clocks wake my high up
Steaks are high well done and prime cut, eat up
I stick my rollie in her mouth, let the time come
She got hair like Shanaynay, and eyes like Wonda
Oh my goodness
Wayne them bitches ugly, these niggas colder than Tommy buddy
Ye we hittin’ models like Tony Parker be hittin’ bottles
Bitch I’m goin’ harder than yellow cabby stoppin’ for Lionel
(Black ass nigga)
They be duckin’ us niggas, shout out to Donald Sterling
Boy lets get a scrimmage, I’ll cut some niggas, I’ll bring the Clippers
And a couple owners, that’s kinda German
You bring the nooses, and a couple trees
Where the money grow, and get bodies burning
Cuz I’m tryna hang like I’m Mr. Cooper or Jews in Berlin
Or some niggas from Alabama, Birmingham
I need music all over the street like Erick Sermon
Was, fuck us, maybe we should team up
Anti Golf boys ’cause I don’t fuck with me either
I’mma liar, I’mma faggot
Son you need Jesus
But I heard he left sunset, to go on tour with Yeezus, well
I’m prayin’ for the new Yeezys
And you pussies prayin’ that we squash the beef like zucchinis
I know, it ain’t gain, nor fame, nor tame
Or lame, nor strange
Nah faggot its Golf Wang
Tyler the Creator’s ‘Smuckers’ stands as a vivid mural painted with the brushstrokes of brazen self-assertion, societal critiques, and introspective musings. The multilayered track thrives on its ability to intertwine the complexities of fame, success, and personal struggle, while weaving in a tapestry of provocative statements that challenge the listener both musically and thematically.
In grasping the meaning behind the jarring lyrics of ‘Smuckers’, it becomes evident that Tyler is not just a creator but a craftsman of a narrative that defies the conventions of what music should encapsulate. Every bar delivers a blow to the veneer of celebrity culture, peeling back its layers to reveal the core of an artist at war with the external perceptions and his internal ambitions.
Raising the Steaks: Tyler’s Quest for Acceptance and Success
One cannot delve into ‘Smuckers’ without acknowledging Tyler’s relentless pursuit of excellence. ‘Mom I made you a promise, it’s no more section 8 / When we ate its the steaks, now our section is great’ suggests a vicious hunger to rise above impoverished beginnings. He contrasts his past struggles with current achievements, using clever wordplay to underscore his ascent from welfare (‘section 8’) to a life of wealth and opulence (‘steaks’).
Tyler’s aggressive repudiation of poverty is juxtaposed with his disdain for materialism, as seen in the line ‘Money, money, money, money, money ain’t the motive’. This hints at a deeper, intrinsic motivation that propels him beyond the superficial trappings often glorified in hip-hop culture.
The Paradox of Fame: Navigating a World of Misunderstanding
‘Why don’t they like me? Cause Nike gave lot of niggas checks / But I’m the only nigga ever to check Nike.’ Here, Tyler confronts the paradox of his public persona: revered by many for his audacity, yet reviled by others for the same reason. He calls out hypocrisy within the industry and consumer culture, unafraid to challenge even behemoths like Nike.
The existential question of why he is disliked opens a Pandora’s box of social commentary. Tyler posits himself as a threat, not just to the norms of the music industry but to societal expectations at large, encapsulated in the powerful line, ‘Richer than white people with black kids / Scarier than black people with ideas.’
Hidden Meaning: Chess Moves in the Game of Cultural Critique
Tyler’s audacious claim ‘Ban a kid from the country, I never fall, never timber / But you fucked up as a parent, your child idol’s a nigger,’ serves as a cultural critique, addressing his ban from New Zealand and the racial epithets thrown at him. The boldness in his address suggests that Tyler sees himself as a pawn in a greater societal game where the rules are stacked against him, yet he refuses to succumb.
The hidden meaning lies in how Tyler wields controversy as a tool to hold a mirror up to society. He forces us to confront the dissonance between perception and reality, challenging the listener to reevaluate the societal prescriptions they subscribe to.
Standout Verse: A Culmination of Identity and Assertion
Kanye West’s feature encapsulates the essence of Tyler’s journey: ‘I made a million mistakes but I’m successful in spite of em.’ The line highlights the convergence of imperfection and achievement. It’s a declaration that while the past may be riddled with missteps, it is the resilience and will to triumph that defines Taylor’s present.
West’s verse amplifies this sentiment with the powerful comparison, ‘like Michael Jordan, Scottie Pippen at my wedding,’ suggesting that like these champions on the court, Tyler and his collaborators are champions in overcoming the trials of life and prejudice.
Memorable Lines: Exposing the Dual Edge of Wit
Memorable lines often carry a double edge in Tyler’s work. The provocation found in ‘And the Lexus pull up, skrrtt like hop, I’d hopped out, wassup / Erg erg erg, step back, hold up, my leg’ll be stuck’ is carved with a mix of swagger and vulnerability. It’s a brash display of status coupled with an almost slapstick, self-deprecating humor.
This dual nature of his lyrics embodies the essence of Tyler’s artistry, a blend of unfiltered braggadocio and raw introspection. His lines are a playground where he deftly maneuvers through complex emotions and societal taboos, engaging fans and critics alike in a cerebral dance of meaning and interpretation.
